“The information in this
article derived in full and in part from
Music, Murder and Mayhem – A True Story!
All copyrights reserved”
E.O.A.A Weekly:
YOU’RE TALENTED, NOW WHAT?
I remember when I was sending my demo tapes and photos to every label I thought would be interested in me as an Artist. Then I decided that I wanted to write lyrics, I searched for mentors and tried to familiarize myself with the business.
I researched materials on the subject of the music industry but I could not find any that truly prepared me for my venture.
If you have already researched books on the subject of the music business then you have found that a lot of the books that are written denouncing the industry are portrayed as fanatical, demonic and are downright comical.
Personally, I am certain that there is a degree of evil involved in the business and that there are possibly some individuals who would sell their souls for a successful career but I didn’t look twice at those titles.
It is almost as if those books are deliberately, readily accessible but the titles that would truly provide insight are not as easy to find. So I am writing this (Article) for anyone interested or anyone who knows someone who is involved with the music business.
So let me be the first to say, “Congratulations!”
I am sure that it has not been easy to make it this far. Trust me when I say that I know that
you have had to deal with a lot of opposition on your journey to stardom. There are so many that give up right at the start due to fear of success or because of the first sign of opposition.
Although it is far from being an easy plight, there is a great deal of work involved in pursuing such a challenging career in the
entertainment industry. You must admit that with the help of technology, it has definitely made a difference in the struggle in comparison to that of your predecessor’s.
Social networking has definitely had a positive impact in allowing new artist to reach a much wider audience. In this Age of Technology, Artists are discovered everyday on YouTube, Facebook and other social websites by simply self-promoting.
“Show Off Your Talents!”
There is an abundance of talented people but only so many are being recognized so you have to really have a great support base and an extremely clever product in order to stand out above the rest.
Using websites and social networking may seem like an easy way to promote and market your works, however, it takes dedication, hard work and persistence to be successful.
It also takes physical labor by going out and pounding the pavement in an effort to promote and market. Don’t forget that it takes a lot of financial investment on your part to prepare your product for presentation.
I understand what drives you to continue to pursue you dreams. It is a wonderful feeling to be so close to having your dreams come true.
It is very important to obtain your college education in whatever field that will assist you with your endeavors. Building relationships with a good group of educated friends and associates will definitely help you in achieving your goals.
I definitely encourage you to pay close attention while taking Geography and Government/Politics.
If your professor is simply reading from a book – switch classes because you want a teacher who will tell you how it is and not just read from a book that has been designed to withhold the truth behind the actual process.
I am sure that you have everything figured out. You have conducted business properly – upright and honestly.
You have completed your demos, you have copy-written your works for your protection to avoid infringements.
You have worked out who you deem as marketing targets, you have developed your style.
You have a good support base, you have some financial backing and you have a couple of attorneys that you know through a friend.
You are pretty confident that if you run into any snags you will be able to obtain some assistance with legal matters.
Ultimately, you believe that since you have covered all of your bases then the in the end you will be able to obtain counsel and utilize the court system to seek relief if all else fails.
I urge you not to put all of your eggs in one basket because there are things regarding the business that are not shared with outsiders.
Remember that when you promote and market your talents that you are at risk of attracting those in the business who will seek to use your ideas for their own purposes. Also, you must consider that many individuals have similar ideas and that every instance may not be deliberate. Although copyrights do not automatically prevent others from mimicking your ideas, it will definitely help to establish ownership when necessary.
This brings me to discuss the contracts associated with the music business in the next article E.O.A.A. Weekly on Friday, September 12, 2014!
Find the answers to the many questions regarding how the music industry and this ‘system’ continues to operate with impunity in E.O.A.A. Educating Our Aspiring Artist Weekly Articles Sponsored by SWP, LLC...
https://requestforlegalhelp.com/download-now/
This book calls attention to the events that lead to major entities being exposed, corruption, greed, lies, hypocrisy and even murder – past to present!
SAMPLE CHAPTER - Music Business: It's a Dirty Game!
This book calls attention to the events that lead to major entities being exposed, corruption, greed, lies, hypocrisy and even murder – past to present!
SAMPLE CHAPTER - Music Business: It's a Dirty Game!
Chapter 7: In the Beginning – Music
The DEAL was at one point the biggest Dangling carrot of all. I wanted to write for others and have at least one project released where I was The Artist. I had plans but what I didn’t realize is that my plans interfered with someone else’s plans.
Along the way I manage to piss off all the wrong people. I tend to do that when I sense that my best interests are not being looked after.
If I felt the slightest bit of deceit, I was in the wind. I was moving too fast and I didn’t want to settle for someone that would shelf me or just steal my lyrics. While at the same time, I had to get my name out there and let people see that I had talent. I soon found out that it wasn’t about talent. What I found was a lot of unhappy musicians who were trying for much longer to get there. The industry is definitely worse than the dope game.
All of the production companies were starving. Everyone had a dream but only so many had the ability to get their work heard by those who could make it happen. The egos were ridiculous the higher up you went. I met a lot of producers and I intend to address each of them in the order I met them to share my experience.
My first recording artist deal was when I was twenty years old. I signed a contract for a female group with Sanchez (different from the other Sanchez mentioned later). It never went anywhere and with time I just moved on.
Although at first I wrote stories, children’s poems and melodies, I eventually met Lee Marcus. He was about six feet tall or a little less than. He was brown-skinned and almost always wore African styled attire. He seemed like he was a genuine person who didn’t make me feel uncomfortable but I could tell he had pimp-like ways. He encouraged me to use my feminine wilds to get close to older men but this wasn’t my style.
I wanted to get into the business but I was young and thought I would be different. I found out much later that the song was used on a popular sitcom. The lyrics for the hook was, ‘Keep standing tall, Keep standing tall…’
I had never watched that type of show at the time so I didn’t realize it was used. I had poor man’s copyright at the time. I found out late that his family/brother was connected to or a police officer.
I ran into Lee Marcus some time later, (after my Zomba ordeal) we were going out and my mother ran out to the car to take a picture of him as we were leaving. I was so embarrassed. I think that’s when she gave a damn about my safety.
Lee Marcus wasn’t a bad guy, but he thought very highly of himself. Lee Marcus and Jake Salazar were in the music business together. I never found out what happened with them.
Even though no one seems to tell me anything lately; it is amazing how much information that people would brazenly tell when they thought that they had the upper hand. He was having big fun telling me how much that I reminded him of his ex-wife and that he didn’t like her. He also told me of his family being associated with the police. I don’t think that that was the only group that he was affiliated with.
I just assumed that his cocky attitude was because he felt connected or untouchable. I laughed it off because it didn’t matter to me. During our conversations about the music business, I trusted him due to his experience as a drummer in a band and dealings in the music industry. He definitely had more experience than I had. The information he was providing me with and the music tracks for me to write to seemed invaluable.
Lee educated me about the importance of copyrights but advised poor man’s was same. I discovered much later that poor man’s copyright is not the same. He had described the structure of the music business as a unit which consisted of five major labels at that time. He went on to mention that the Jews ran the music business. I never thought anything about it because I saw all people pretty much the same.
Being raised separate and isolated, I only had an ideal of the world – Brainwashed from youth. It was my view that most people wanted positive results for others. I was going to change the world. All my messages, poems and song titles reflected positive or nurturing ideas but that soon changed. After the initial placements of works that I had given; I can only assume that word got out about lyrics being free game.
Keep in mind that I was a fugitive from the law living in Detroit when I was working with him and I was not on any radar because I never used my name or social security for anything. I don’t recall him ever offering me a contract but wanted lyrics for music tracks. Five works given to Lee/Jake: 'Keep Standing Tall', 'It's Love/I'm what you need', 'where are you now?', 'I need you here', and 'Just for you.'
Once I signed the publishing contract with Zomba, I spoke with Lee again and I was trying to build a team. I had four to five writers under contract with my company and asked him would he like to help. I remember that he became indignant and began to mock and he laughed at me saying that ‘him sign with me’ as if it was the funniest thing he had ever heard. He was by himself this time without Jake Salazar.
At this time I had no knowledge of other works being placed. So I believe that when Zomba referred to having songs that I had written ‘before and after’ covered in contract, it was very likely that they had knowledge of these works. I, personally, looked at it as if I were paying my dues and was willing to charge that to the game at that time.
Meanwhile, I was unaware that a Georgia warrant was issued on May 19, 1993 for probation violation after I started working with other local music producers. I think that my decisions definitely interfered with someone's plans. I can wholeheartedly say that their intentions were bad from start. Then I received the blame for not signing or letting them lock me down when it was apparent that I had no value in their eyes. Well after initial Georgia warrant and case was resolved, I really started to work with others in the music industry.
After many years, I was able to obtain information on each of the music producer and I discovered that they were not competitors as I was lead to believe but that they worked together.
[5] At the same time, Jake kept in touch with his musical roots frequently helping his uncle and various other groups playing ethnic music around Michigan and Ohio. The recording studio opened up another world for Jake Salazar and he started to analyze the recordings with curiosity and ambition dissecting each note like a surgeon and precisely orchestrating the production not only as a session studio musician but also as a record producer.
[5]http://ftpmirror.your.org/pub/wikimedia/images/wikipedia/commons/d/de/JS_Biography.pdf
Jake took direction from Richard Becker who was the chief engineer for Motown Records and owner of Pac 3 Recording Studio in Detroit that produced all of the hits for Westbound Record (Parliament/Funkadelic, The Ohio Players, and Patti LaBell.) Jake later hooked up with DJ (Ben Mercado) who played Latin music at a Detroit local black station, WJLB late at night. He worked for the DJ who asked Jake to go through the records from the mail room addressed to the show and separate the playable records from the non-playable records. Jake got to take the non-playable records home. The playable records, of course, were the records that contained money in the album jackets.
The music industry was deeply embedded heart, mind and soul and it surrounded Jake day and night with its creative influences. His devotion was unparalleled to no other desire. Jake did a sting promoting records for several independent record promotions companies with clients such as CBS Records, Warner Bros. Records, RCA Records, MCA Records and Capitol Records and traveled around the country visiting stations and their PDs to get them to play the records.
During the late seventies and eighties he started working for labels, production companies and music publishers while occasionally performing live and recording in the studio. Jake Salazar has led a successful career as a music record executive a long side his many accomplishment as a record producer.
Jake has achieved three Grammy Nominations for his record productions. Being in the company of legends, heighten Jake's capabilities with extreme confidence. Jake Salazar became affiliated with Manuel Montoya of MEG (Montoya Entertainment Group) a company that provided international services to clients such as Herb Alpert, Janet Jackson, Marie Osmond, Quite Riot, Julio Iglesias, Kenny Rogers, Placido Domingo and Sylvester Stallone to name a few and established a production company.
[6] Jake Salazar was a co-founder of the Tempo Music Group. A coalition of independent record companies owned by veteran industry professionals and celebrities such as Anita Baker/Michael Powell, Sylvia Moy, Martha Reeves, Isaiah Thomas, Thomas Hearns, John Salley, Lee Marcus, and Leonard Jones among other prominent business colleagues.
[6]http://ftpmirror.your.org/pub/wikimedia/images/wikipedia/commons/d/de/JS_Biography.pdf
Jake has been a consultant to over forty record labels and for many of the industries' major artists and manages the careers of a chosen few. Jake has been a consultant to over forty record labels and for many of the industries' major artists and manages the careers of a chosen few.
Hip-Hop/Rap artist Baby Blue, A.K.A. Big Nic on Big Money Records produced by Jake's son, Jake "Chacho” Salazar, III. All distributed through an arrangement with Universal. Prior administrative obligations were for Grammy Winner Little Joe/Polygram Records, Grammy Winner Cesar Rosas/Los Lobos/Warner Bros. Records, Platinum artist Tierra/MCA Records and DeLeon Music Publishing/Peer Publishing.
There they were, Jake Salazar and Lee Marcus, in my living room, personally providing me with music tracks for me to write my lyrics and melodies, I guess I should have felt honored. Jake Salazar, Lee Marcus, Leonard Jones and Michael Powell were all prominent business colleagues and they say that I am the one who is guilty of betrayal.
Obviously, I didn’t just pull names out of a hat, this was no accident, and I can see why these people want me to just die. I guess this is where the harassment from Hispanics could be originating from; they must have had a falling out. What did these maniacs do? Not one of them tried to offer anything, no decency, just treachery and you expected what to happen exactly? I was unaware that they were close prominent business colleagues.
Shortly after meeting Lee, I met Leonard Jones of All Purpose Disc. He was an older man in his late 50’s or older. I accepted a job as his secretary part-time. I actually liked getting dressed and going to work being that I had never worked before. My ex-husband provided for us for the most part, this enabled me to have more time focused on the children and my music. I believe he felt that keeping me close to home would prevent contact with other men.
While working for Jones, I met a lot of people that would come to the office to meet with him. He never came on to me or used his position to try to get some ass like I expected. Instead he seemed to be testing me and checking to see what my deal was. I was also watching, checking to see if he actually had good intentions. Of course, I felt that he might be in a position to help get me to where I wanted to be - Major. As I worked there, I would hear the different artist express their concerns and issues. Mostly, I would try to read all the people that came to his office; including his wife.
His wife hated the sight of me. Jones and I would laugh because we both knew that we weren’t doing anything. If he was cheating, it wasn’t with me. He’d joke and say that she called me ‘that Thang’ and I would reply with “that’s Ms. Thang to her.” Although I liked Jones, I didn’t have faith that once I signed he would follow through.
Eventually, some guys came in the office and they were not happy about something to do with money or a project and it was not pretty. That was my queue… I'm talking about Detroit men, pissed about money; I quit that day but before I left I called myself getting some numbers for distributors and possibly producers. Not unlike anyone else who felt they worked for it. I never saw him again but he wasn’t a bad man but just like others who couldn’t have their way – He probably wasn’t happy with me.
I worked with another talented local music producer named, Darrold Campbell. He was a light skinned African American. He was quiet for the most part but he spoke when he had something to say. I genuinely wished him well and I liked his music tracks. He was very professional and he should have gotten a deal on his talent alone. He would tell me that I didn’t need help with writing song lyrics. His tracks were highly praised by those in the industry with years of experience. I never hesitated to give his business info to others.
In addition, Darrell Strickland was lyricist/producer (slightly crazy in my opinion from bumping his head for years with that damn dangling carrot). He was between light and medium brown skinned African American. He was ‘cool people’ but because I felt that he wanted more than music relationship, I left. We had a great time hanging out though. We went to Nova Scotia, Canada and just kicked it with some other musicians. We all just sat around playing music and showing off our talents – Freestyle. I will always remember that trip. Canadians were very friendly to me and it was nice to get away for a while. I know that he had some crazy ass thuggish brothers.
I worked with Hershel Tinsley and Tim Lempke, they were music producers but I didn’t like the way they wanted me to sing. I tried and it didn’t work out. There was no soul or feeling in the song that I was given and I wasn’t allowed input.
I also met with some lady who had studio out of home said, ‘writing songs like a relationship’ Ah; no I don’t think so. I don’t remember her name but I didn’t like the vibe I felt. It was if people were saying that I tried to cut others and was completely self-serving.
I was working on exposure and decided to agree to a radio commercial for ‘Mind your business campaign’ on radio. This was a campaign designed to encourage support for local businesses. It was really good experience and it felt good to hear my voice on the radio.
I was so excited about music tracks and wanted to write, I began to seek out different production companies to offer my vocals to help sell their songs for studio time and/or tracks to write my songs.
Curtis, my husband, at the time supported my endeavors. He purchased a little 4 track player so that I could put my melodies down with the music. I would spend my nights smoking weed and writing. I became obsessed with music and the more lyrics I wrote, the more I learned about copyrights, legal process, etc…but what I didn’t know is that even if you have copyrights – you are not protected if you cannot get a lawyer to represent you.
My husband and family introduced me to Larry Hatcher (If that was his real name) was involved in music industry and was a writer/lyricist who lived in both cities, Detroit and Los Angeles. He was a friend of the family and I was told that he could possibly help me with my music. He was over 6 feet in height, medium build with medium brown skin African American and seemed upbeat, energetic and interested. He was fun and very likable but never open. At this time in my life, my husband and I had just come clean about our issues and concerns with our relationship. I thought that we had decided to work things out and stay together.
So I went into my dealings with Larry with strictly business mentality. Curtis would drop me off at his house to work on music tracks. I liked him but I was chilling and I made it clear that I wasn’t down for extracurricular activity. Once, Larry and Val were sitting on the couch and he just whipped it out and she started playing with him while they looked at me. I kept writing my lyrics and ignored them.
He was the type of man that knew his way around women and how to get what he wanted. One eventful night he decided to take me to a party at his friend’s house, I went and I was running from him the whole night. He finally brought me a drink, VSOP and I drank it. Right after the party, instead of him taking me home he went to his house. I was out of it and the next thing I knew he had me up on the table on my back and lifted my dress up and he was inside me. I couldn’t move and I was in shock.
Immediately, I started crying and demanded to go home. I was throwing up all the way home. I can’t remember if he took me or if Curtis came to get me. I continued throwing up and crying all night. I told Curtis, my husband what happened to me and he didn’t even respond. It was like he didn’t care or believe me. I told my mother and I received the same response. I was so hurt that neither of them gave a damn that I said forget them.
Do you know that I hardened myself at that moment and made excuses to justify me going back to who I felt was the only person really in a position to further my career? The sooner the better, than I can get away from them for not caring. I know that he was a friend of their family but I didn’t think that they would just give me away. So, yes; against my better judgment I went back to him knowing that I had hateful feelings towards him for what he did. I addressed it with him and expressed my anger towards what he did. He apologized and I said I accepted but I still held a grudge at that time.
I was furious but I just told myself that he didn’t hurt me. So keeping this in mind, I just couldn’t hold it anymore and when we had that meeting with Renzer - Zomba, rep at Art & Rhythm’s studio with Larry Roc Campbell, I just snapped because I couldn’t bear the thoughts of them cheating me out of my songs and that he did me like that. I went off on him verbally but no one else knew why, just Larry Hatcher and me.
I think back to when I told my girlfriends/sister-in-laws that one of my fantasies was to have my man just take it but we were just talking. Whatever, that was a tragic experience for me. Prior to this happening, I had met his friend Larry Roc Campbell and I was checking him out and I know he didn’t like it but he never said anything.
What possessed him to do that to me? – To this day I think this was a tactic used to cause imbalance, confusion and dismay. In addition, there were implications that she may have known Larry by her response to our incident. Looking back I truly believe he feels like I hurt his feelings because he said sorry. I am still negatively affected and way messed up by that move. If he hadn’t he may have had a chance but this drove me to what’s his face…and definitely far away from my ex-husband emotionally. - Hurt, angry, mad at myself for responding the way I did – My husband and mother failed me, so my dumb ass made matters worse with that one.
Larry had introduced me to Larry Roc Campbell, who at that time was a music producer (self-proclaimed master manipulator). Roc was already contracted with Zomba under Ara - Art & Rhythm and worked out of a small studio in Southfield, Michigan. Roc was slightly less than six feet tall, with medium build and medium brown-skinned African American. He would have probably been taller if he not been bow-legged. He also had a cleft or dimple in his chin. He was very sexy in his strong but silent kind of way. Art & Rhythm; which consisted of Ara and Roc, offered a contract but didn’t want to offer any monies. Of course, just like anyone else would have done – I declined due to no money. I tried to talk to him but he just sent me to Ara.
Since I had a husband and mother willing to give me away, I had someone that I thought that I could trust hurt my soul. Roc didn’t think enough to come up with any money for contract, I wasn’t asking for millions; this why I signed that BS contract in my weakened state.
I guess I needed to believe that there was something good for me somewhere. I guess I was delusional about wanting to be cared for or looked out for…maybe I saw something that wasn’t there (you think, duh). That won’t happen again. I know that he was encouraging me with his complaining about home, treating me extra nice. Maybe, I wanted to believe I saw something that wasn’t there. Again, my dumb-ass came on to him and he rejected (which was the right thing to do).
I really thought that he was a nice person but as I look back, he gave me a ‘shh!’ gesture right before the meeting with Renzer - Zomba, rep. Looking back that is probably why Zomba rep. told me after the issue with works to stay away from Larry Roc Campbell. Almost twenty years later, I discovered that he later became Jive Records A & R.
I worked on a few projects with Paul D. Allen. He was a music producer/engineer for Michael Powell’s Vanguards Studio. He is approximately 5’ 10, brown-skinned African American, well dressed quiet but definitely skilled music engineer. I didn’t trust him completely because his ties to Michael Powell and the fact that he scheduled a meeting with me then stood me up but called weeks later ready to work.
Paul was a music producer/engineer for Michael Powell’s Vanguards Studio. I had met Michael Powell but he had his artist that he was promoting and he came across very haughty. Mr. Egomaniacal…..I didn’t trust him and was afraid of his intentions and I had been shelved before. Paul was quiet and reserved when I worked with him. Honestly, he supplied one of my favorite music tracks, “Why can’t I” - that was a really good song. I wrote and sung my heart out for that one. He looked up to Roc with respect when I made reference to him. It was almost like he wanted to stand up for him when I began to mock.
Shortly after my battle with Zomba began, I met CC or at least that’s how he introduced himself, I was not expecting that and my instincts said ‘run bitch.' This was some new stuff and I probably shouldn’t have…but my instincts are rarely wrong. I don’t think he knew that I knew who he was.
I had just seen his picture in a magazine associating him to Jive label. He was gorgeous and so I started to pretend as if I didn’t recognize him. Suddenly, I got really nervous and I decided to make my famous get-away. I ran away because I couldn’t understand why he was in Detroit, at the same club that I was in. I don’t believe in coincidence. His demeanor and timing instilled concern and I was not ready but tried to play big girl but my fear took over.
David McPhearson - Zomba, rep - CC/Jive… I never worked with him but I was infatuated with briefly. He was light-skinned African American, possibly six feet tall and very attractive. I still have no idea of what his role was in this sudden appearance.
Shortly afterward I started to hear stories about something happened bad to someone and people started treating me awful. Implying that he or someone was beat up or hurt. Now how was supposed to feel. I didn’t know what was going on. I didn’t know who was just caught in crossfire and who was responsible. I didn’t know it was a joint effort at the time. Each of them had their own motives and intentions.
First encounter which lead to Zomba It felt like someone had my house wired because that would have been the only way. I didn’t go around telling everyone that he was there.
It wasn’t long after the incident with Larry that I met with David Renzer, Zomba, rep but he made me feel uncomfortable. I couldn’t read into his intentions probably because I was tore up from what I was going thru on the home front and with my music. I felt that it didn’t matter/I didn’t matter – Just get your paper boo boo or so I thought but my heart and mind betrayed me.
I was a mess and it was my first meeting with David Renzer and the other Jive label representative along with Larry, Roc and Ara, this is when I snapped. I had not seen or talked to Larry in a while so seeing him and being in that situation was upsetting at the time. It felt like I was in a pressure cooker and all I could think about was what I was told about him taking credit for my lyrics, combined with my emotional state regarding our incident and life on the home front was not good.
It was too much so I took it all out on him but he definitely deserved a lot of that verbal lashing (I had not forgiven him). I am sure that each of them had their reasons and motives for their actions but there is one thing that I am sure of is that their intentions were definitely self-serving.
Unfortunately, human nature doesn’t always allow for most to wish others well. Instead, it does give many reasons to intervene, attempt to prevent any positive results, and spread a complacent attitude towards doing the right thing.
Per Renzer's request, I was supposed to submit in writing my claim to my work.
Read more...
Yeah, they were trying to 'help' alright...themselves. Now they got people gunning for me because of all of their versions of events. I had no idea of all of the violence and 'warring' that ensued. I did not even know that they were spreading their lies through the streets or that I needed to defend myself.
How dare me want anything from their industry besides 'they' were popular...
But I am the bad guy and it's all my fault, really?
MORE INSERTS: FROM MUSIC BUSINESS: IT’S A DIRTY GAME! NONFICTION –
This book calls attention to the events that lead to major entities being exposed, corruption, greed, lies, hypocrisy and even murder – past to present!
“According to Michigan Department of Corrections, the Author’s father, Robert Heard, was convicted of murdering a Detroit Police Officer, Stanley Rapaski and the bar owner, Cass Czerwinski.
I wonder if Cass Czerwinski, the bar owner’s family were influential, powerful people that could keep their names out of the press because it took a lot of research just to find the name.
I can’t help but wonder if Czerwinski is related to Democratic Representative Joseph C. Czerwinski. It is clear that there are entities utilizing great and powerful influence; who work at great lengths to prevent resolution and to deter any real assistance.”
In this book you will learn about actual individuals who are connected to the major music publishing companies that profit and who yields power; such as, Paul Katz.
Katz alleges to have interest in Artists Rights; however, it was under his reign at Zomba, that all kinds of allegations of copyrights infringement were happening to their writers, IN HOUSE….
It was Zomba’s own contracted writer(s) who was being subjected to alleged copyrights infringement. These infringements were followed by intimidation tactics, violence, and much more…. what hypocrisy!
Everyone who is in a position of addressing the many atrocities that have been forced on individuals, seek to present themselves as upstanding, decent, law-abiding citizens who actually care about civil rights and human rights; yet, they turn a blind eye and continue to profit from the violence, like it’s a sport. While the Artists/Songwriter’s name is sullied and drug through the figurative ‘mud,’ those who profit, hide. They pretend to separate themselves from the inhumane treatment and dehumanization of many who fall a victim to a ‘system’ that vilifies ANY who would call attention to the truth.
Learn about how every resource and outlet is used in an effort to initiate hardship on those who insist on exercising their rights while discouraging their desire to seek resolution as if to say, ‘Let it go!’ ‘We do this to everyone so there is no hope…’
Learn the entire process which demonstrates egregious intent to influence a sense of hopelessness.
When the smell of violence was fresh and ‘street justice’ was being used inflict further damage, the initial response from professionals (both, legal and official) was, “(We) can’t help you…”
After decades of deprivation, harassment, intimidation, obstruction and threats of violence… suddenly it becomes the time for the so-called ‘statutes of limitations’ justification to be used to deter proper resolution.
Any legal professional is clearly aware that there are no ‘statutes of limitations’ on civil rights violations; yet, it has become customary for the Artist/Writers to be disregarded when it is time to share in the profits…Doesn’t that sounds like a form of slavery!
Everyone has a story but the atrocities that have been allowed to continue blatantly will shock even the most weathered individual…
Again, this book is not just for the aspiring artists and songwriters but is also beneficial for those who are interested in learning how the world that you live in actually operates.
Learn, don’t get burned! Shop our Publications!
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For more detailed information regarding the many groups and what it means to be properly aligned, I encourage you to read Music, Murder and Mayhem – A True Story! and Music Business: It’s a Dirty Game!
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